Frecuencias 99.5 WCRB All Classical:
-
1
Six German Dances, D820: No. 1 - 3
Berliner Philharmoniker & Claudio Abbado
-
2
Billy the Kid
Michael Tilson Thomas & Buffalo Philharmonic
-
3
On the Town, Three Dance Episodes: No. 3, Times Square
Boston Pops Orchestra & John Williams
-
4
The Magnificent Seven
Cincinnati Pops Orchestra, Cincinnati May Festival Chorus & Thomas Peck
-
5
Concerto for Two Violins in D Minor, BWV 1043: I. Vivace
Freiburger Barockorchester, Gottfried von der Goltz & Petra Müllejans
-
6
Symphonie Sur un Chant Montagnard, 'Cévenole', Op. 25: I. Assez Lent - Modérément Animé - Allegro
Marek Janowski & Pittsburgh Symphony Orchestra
-
7
Cantata No. 47, "Wer Sich Selbst Erhöhet, Der Soll Erniedriget Werden", BWV 47: Chorus: Wer Sich Selbst Erhöhet
Amsterdam Baroque Choir, Amsterdam Baroque Orchestra & Ton Koopman
-
8
Prelude and Fugue in D Minor, "Fiddle", BWV 539: I. Prelude
Hamish Milne
-
9
Water Music, Suite No. 1 in F Major, HWV 348 : VII. Bourree
The New Classical Consortium
-
10
Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto
Freiburger Barockorchester, Gottfried von der Goltz & Petra Müllejans
-
1
Six German Dances, D820: No. 1 - 3
Berliner Philharmoniker & Claudio Abbado
-
2
Billy the Kid
Michael Tilson Thomas & Buffalo Philharmonic
-
3
On the Town, Three Dance Episodes: No. 3, Times Square
Boston Pops Orchestra & John Williams
-
4
Reynardine
Nicholas Collon
-
5
Brandenburg Concerto No. 3 in G major, BWV 1048: I. [Allegro]
John Eliot Gardiner, English Baroque Soloists, Bernarda Fink & David Watkin
-
6
Partita No. 3 in A minor, BWV 827 : I. Fantasia
Jeremy Denk
-
7
Die Kunst der Fuge (The Art of Fugue), BWV 1080: Contrapunctus I
Andrew Rangell
-
8
Concerto for Harpsichord, Strings, and Continuo No. 1 in D Minor, BWV 1052 (Transcr. for Mandolin and Orchestra by Avi Avital): 1. Allegro
Avi Avital & Catrin Finch
-
9
Magnificat in D Major, BWV 243: III. Quia respexit humilitatem
Martin Pearlman & Boston Baroque
-
10
Magnificat in D Major, BWV 243: XIIb. Sicut erat in principio
Martin Pearlman & Boston Baroque